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	<journal>
		<journal_title>Social Geography</journal_title>
		<journal_url>www.soc-geogr.net</journal_url>
		<issn>1729-4274</issn>
		<eissn>1729-4312</eissn>
		<volume_number>2</volume_number>
		<issue_number>1</issue_number>
		<publication_year>2007</publication_year>
	</journal>
	<doi>10.5194/sg-2-63-2007</doi>
	<article_url>http://www.soc-geogr.net/2/63/2007/</article_url>
	<abstract_html>http://www.soc-geogr.net/2/63/2007/sg-2-63-2007.html</abstract_html>
	<fulltext_pdf>http://www.soc-geogr.net/2/63/2007/sg-2-63-2007.pdf</fulltext_pdf>
	<start_page>63</start_page>
	<end_page>75</end_page>
	<publication_date>2007-06-14</publication_date>
	<article_title content_type="html">&quot;You have reached your destination!&quot; Position, positioning and superpositioning of space through car navigation systems</article_title>
	<authors>
		<author numeration="1" affiliations="1">
			<name>T. Thielmann</name>
			<email>thielmann@fk615.uni-siegen.de</email>
		</author>
	</authors>
	<affiliations>
		<affiliation numeration="1" content_type="html">SFB/FK 615, Project &quot;Media Geography&quot;, University of Siegen, Germany</affiliation>
	</affiliations>
	<abstract content_type="html">Recent cultural and social theory has paid increasing attention to the
category of space. What has received less attention, however, are ideas of
navigation through space. Topographic questions started to be debated within
the framework of new media as early on as the 1960&apos;s, resulting in the
interest since this time in localization of information and visualization of
informational spaces being inherently connected with map and display media.
This paper argues that the convergence in cartographic, media and
communication appliances is made particularly clear by the increasing
phenomenon of car navigation systems.

&lt;br&gt;&lt;br&gt;
The media scientific analysis reveals that the history of car navigation
systems is characterized by more commonalities than differences. Invariant
constants are the re-discovery of mnemotechnics with &lt;i&gt;Dataland&lt;/i&gt; and
&lt;i&gt;ETAK Navigator&lt;/i&gt;, vertical travel facilities since &lt;i&gt;Aspen
Movie Map&lt;/i&gt;, step-by-step route guidance since &lt;i&gt;Philips CARIN&lt;/i&gt;, 3D
navigation, photorealistic representation of urban areas, translucent insert
maps, split-screen displays, the superpositioning of the map onto the
landscape and in reverse, as well as the constant oscillation between
two-dimensional projection space and environmental space, whether with or
without a head-up display.

&lt;br&gt;&lt;br&gt;
Given this observation of continuity, the fundamental question needs to be
posed with reference to a media history of car navigations systems, namely:
When do changes in the technical, conceptional and aesthetic
properties actually induce differences for media diffusion
explanations? This hermeneutic-interpretative analysis is therefore less of
an attempt to write a media history of car navigation systems, but more a
space concepts overview by and through car navigation systems.

&lt;br&gt;&lt;br&gt;
This approach reveals that modern car navigation systems are manifestations
of media theoretical utopias, in spite of the media evolutionary leveling.
With reference to Paul Virilio, it is possible to determine that GPS
localization contributes considerably to the normalization of automobile
acceleration, which affirms Virilio&apos;s science of &quot;dromology&quot;. Based on
Michel Foucault&apos;s spatial understanding, it can be argued that the
heterotopia of driving would be perfected with the aid of an &quot;augmented
reality&quot; navigation system.

&lt;br&gt;&lt;br&gt;
The exposed cross-disciplinary understanding of geography as a cognitive
system and more precisely as a superpositioning method, in combination with
the fact that trajectography bypasses the prevailing discourses in
cartography, and that external data bases or at least entire media systems
are incorporated into the map functionality, requires reference to more than
just &quot;mobile cartography&quot; or &quot;telecartography&quot;. It seems to be appropriate
to term media, such as car navigation systems, with converging cartographic
and media applications, as the genre of &quot;geomedia&quot;.</abstract>
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</article>

